Lawrence & Mayo Transit Theodolite No. 513
United Kingdom · 1913
Husqvarna Class 12 Hand-Crank Sewing Machine
Sweden · 1948
Antique Charcoal Box Iron with Trivet Stand
Origin unconfirmed · 1900
Vintage Dittmar Austrian Make Brass Kerosene Oil Lamp
Austria · 1880
Vintage Hand-Cranked Roll Film Magazine Back with Cover
Origin unconfirmed · 1930
Voigtländer Bessa 6×9 Rollfilm Folding Camera
Germany · 1929
Nizo Heliomatic 8 Mod. S2R Cine Camera
Germany · 1954
Antique 1868 Victorian Field Binoculars
United Kingdom / British India · 1868
Paillard Bolex M8 8mm Film Projector
Switzerland · 1955
Revere 85 8mm Cine Projector
USA · 1948
Weston Master II Universal Exposure Meter Model S141/735
United Kingdom · 1946
Nordmende Rigoletto 58 Tube Radio (Chassis 8030)
West Germany · 1957
Lawrence & Mayo Transit Theodolite No. 513
United Kingdom, 1913
A classic British vernier transit theodolite by Lawrence & Mayo of London, engineered for precision surveying and civil engineering. Finished in black enamel with exposed lacquered brass scales and verniers, the instrument features a full vertical circle, sensitive spirit levels, and a three-screw leveling tribrach base.
- Materials
- Enameled brass/bronze, silvered scales, optical glass
- Place & period
- United Kingdom, 1913
- Collection
- Curio collection
About this object
Precision British brass and cast iron surveying instrument by Lawrence & Mayo, London
Condition
The theodolite displays authentic historical wear with edge chipping, rubbing, and paint loss across the black-enameled A-frames and base casting. The brass scales, knurled adjustment screws, and vernier readouts show natural patina and minor surface oxidation. Glass spirit levels and telescope lenses appear intact with expected dust and superficial handling marks.
Provenance
Provenance documentation was not supplied for this specific Lawrence & Mayo Transit Theodolite No. 513; this listing is based on the supplied photographs only.
Maker Mark
LAWRENCE & MAYO LONDON Nº 513
Instrument Type
Vernier Transit Theodolite
Leveling Base
Three-screw leveling tribrach with knurled thumbscrews
Vials
Dual tubular spirit levels mounted on plate and vertical standards
Optics
Terrestrial surveying telescope with rack-and-pinion focusing and objective cover
Engraved Maker Inscription
Clear period hallmark reads 'LAWRENCE & MAYO LONDON Nº 513' stamped directly into the horizontal limb edge.
Full Vertical Circle
Equipped with a finely divided brass vertical circle and dual vernier reading magnifiers for zenith angle measurement.
Stout A-Frame Standards
Rigid black-lacquered dual-standard frame supporting the central transit telescope axis without flexure.
Precision Spirit Levels
Features multiple adjustable tubular spirit levels mounted on the horizontal plate and upper standards for exact leveling.
Three-Screw Tribrach Base
Classic geodetic tribrach design featuring large knurled brass leveling screws and a threaded tripod mount socket.
Surveyor's Telescope
Equipped with brass objective end cap, knurled focusing controls, and an eyepiece with diopter adjustment.
Mapping the Modern World
Surveying instruments like this transit theodolite formed the backbone of British railway construction, municipal surveying, and geographical triangulation, providing the rigid mechanics necessary for uncompromised accuracy across demanding colonial terrains.
The Signature of Lawrence & Mayo
Each instrument produced by Lawrence & Mayo underwent exhaustive hand-finishing, with its serial number and London provenance permanently engraved into the brass dial, attesting to rigorous optical and mechanical calibration before leaving the workshop.
1868 · Founding of Lawrence & Mayo
Lawrence & Mayo is established in London, quickly expanding into optical, navigational, and surveying instruments across the British Empire.
1877 · Expansion into India
The firm establishes offices and workshops in Bombay and Calcutta to supply precision instruments to railways and government surveys.
1913 · Production of Transit No. 513
Transit theodolite serial number 513 is manufactured in London for high-accuracy field triangulation and civil engineering works.
1930s · Transition to Optical Micrometers
Traditional open-vernier transit theodolites gradually give way to enclosed glass-circle tachymeters and modern optical designs.
Enamel Finish
Visible chipping, paint flaking, and edge wear down to the underlying brass on the standards and barrel.
Brass Components
Even aged patina and surface oxidation on adjustment wheels, scale rings, and thumbscrews.
Scales & Markings
The maker engraving 'LAWRENCE & MAYO LONDON Nº 513' remains crisp and clearly legible on the lower plate rim.
Bubble Levels
Tubular glass spirit levels remain mounted in brass housings with intact fluid reservoirs.
Photographs and catalogue attribution: Curio Gallery.
Husqvarna Class 12 Hand-Crank Sewing Machine
Sweden, 1948
Crafted in Sweden by Husqvarna Vapenfabriks AB, this Class 12 lockstitch sewing machine features a durable olive-green crinkle enamel finish and gilt maker branding across the arm. Equipped with a manual geared hand crank and turned wooden grip, the machine is mounted onto a dark-stained solid wooden base plinth. The head features dual spool pins, a vertical stitch-length adjuster lever, and an integrated needle-bar assembly.
- Materials
- Not documented
- Place & period
- Sweden, 1948
- Collection
- Curio collection
About this object
Swedish precision straight-stitch machine in textured olive enamel
Condition
The machine survives in well-preserved vintage cosmetic condition, retaining its factory-applied olive crinkle paint and clear gilt Husqvarna branding. Light oxidation and surface patina appear across unpainted steel elements, thread guides, and spool pins. The wooden base shows authentic age-appropriate abrasions, softening at the corners, and minor scuff marks consistent with handling.
Provenance
Provenance documentation was not supplied for this specific Husqvarna Class 12 Hand-Crank Sewing Machine; this listing is based on the supplied photographs only.
Model
Class 12
Manufacturer
Husqvarna Vapenfabriks AB
Drive Type
Manual geared hand-crank with wooden handle
Finish
Olive green crinkle / wrinkle enamel
Stitch Capability
Straight lockstitch
Base
Dark-stained hardwood plinth base
Swedish Craftsmanship
Manufactured in Huskvarna, Sweden, by one of Europe's longest-standing precision engineering firms.
Distinctive Crinkle Finish
Features a tactile olive-green wrinkle enamel that provides exceptional wear resistance.
Manual Hand-Crank Operation
Equipped with an authentic geared side crank and turned wooden handle for off-grid sewing.
Dual Spool Configuration
Twin top-mounted spool pins accommodate multiple thread setups and winding tasks.
Stitch Length Regulator
Column-mounted vertical sliding lever allows swift calibration of stitch length.
Hardwood Display Plinth
Seated within a solid timber box plinth that serves as an authentic period mounting platform.
From Armory to Domestic Excellence
Manufactured by Husqvarna Vapenfabriks AB in Sweden, the Class 12 showcased military-grade manufacturing transplanted into domestic tailoring. The distinct olive crinkle enamel reflected robust mid-century Scandinavian industrial design, built to operate reliably across generations without electrical power.
The Art of the Manual Crank
Fitted with a geared hand crank and dark turned wooden handle, this machine enabled precise, portable stitch control. As captured in the profile photograph, the polished chrome balance wheel balanced manual torque with smooth mechanical sewing cadence.
1872 · Sewing Machine Division Founded
Husqvarna pivots precision manufacturing expertise from firearms to producing sewing machines.
1934 · Introduction of Class 12
Husqvarna launches the robust Model 12 family using central-bobbin straight-stitch mechanics.
1945 · Postwar Olive Enamel Era
Adoption of durable textured crinkle coatings in distinctive olive and forest green finishes.
1953 · Shift to Freearm Zigzag Designs
Production transitions toward modern freearm designs, concluding the classic hand-crank Model 12 lineage.
Enamel & Decals
Textured olive green finish remains largely intact across the casting, with original gold lettering clearly preserved on the horizontal arm.
Hand Crank & Wheel
Manual crank mechanism, wooden turned grip, and chrome-plated balance wheel remain securely attached and intact.
Hardware & Brightwork
Chrome fittings, stitch regulator plate, and tension discs display modest surface aging and light authentic tarnish.
Wooden Plinth
Solid hardwood base exhibits surface scratches, small pressure marks, and honest patina along outer edges.
Photographs and catalogue attribution: Curio Gallery.
Antique Charcoal Box Iron with Trivet Stand
Unknown, 1900
This antique charcoal box iron features a heavy cast-iron chamber with two rows of draft holes to facilitate airflow across glowing embers. It is fitted with an ergonomic carved wooden handle mounted above a protective heat shield, resting atop a matching cast-iron footed trivet.
- Materials
- Not documented
- Place & period
- Unknown, 1900
- Collection
- Curio collection
About this object
Early domestic laundry iron with dual-row vent holes and wooden grip
Condition
The cast-iron body and matching stand show age-appropriate surface oxidation, scattered pitting, and a dark aged patina throughout. The carved wooden handle displays minor handling wear and finish smoothing but remains securely attached to its mounting hardware. The rear plate shows tool marks, light surface corrosion, and minor finish scuffs.
Provenance
Provenance documentation was not supplied for this specific Antique Charcoal Box Iron with Trivet Stand; this listing is based on the supplied photographs only.
Item Type
Charcoal box iron (sad iron) with matching trivet
Primary Material
Cast iron and wrought metal components
Handle Material
Turned and shaped hardwood
Ventilation
Dual rows of circular draft holes on both flanks
Maker Markings
Not visible in photographs
Dual Ventilation Rows
Drilled draft perforations along both sides provide chimney-style airflow to keep coals smoldering.
Ergonomic Wood Handle
Carved hardwood grip with an integrated upper thumb rest ensures a comfortable, secure hold.
Thermal Deflection Shield
An intermediate oval metal plate deflects radiant heat away from the user's hand during use.
Matching Footed Trivet
Elevated iron stand provides stable clearance to protect work surfaces from hot metal.
Robust Cast Construction
Heavy-gauge iron walls maximize heat retention across the polished pressing surface.
Decorative Bracket Design
Curved openwork bracketry combines structural rigidity with classic industrial folk styling.
Internal Combustion at the Ironing Board
Ventilation holes drilled along the cast iron body provided continuous airflow to maintain burning embers inside. As seen in the side profile, this draft design allowed users to press textiles smoothly without constantly reheating the sole on a stove.
Ergonomics for Domestic Labor
The sculpted wooden handle is separated from the hot iron chamber by an arched bracket and protective baffle plate. The rear view highlights this ergonomic isolation, which kept the grip cool and safe during extended pressing sessions.
1880 · Rise of Charcoal Box Irons
Ventilated box irons grew widespread across Europe and the Americas as self-heating laundry solutions.
1900 · Standardized Foundry Production
Domestic foundries perfected charcoal iron bodies with dual draft vents and heat deflection shields.
1920 · Transition to Electric Appliances
The advent of electric resistance irons gradually displaced solid-fuel pressing tools in households.
1970 · Collector Appreciation
Surviving intact coal and charcoal irons became prized decorative objects celebrating early domestic folk art.
Metalwork Patina
Natural dark oxidation and areas of surface rust consistent with antique cast-iron housewares.
Wooden Grip
Solid hardwood handle intact with smooth handling wear and no structural splits visible.
Hardware & Mounts
Slotted mounting screws and bracket bolts are intact, securing the handle and heat shield firmly.
Trivet Stand
Cast-iron three-legged base is complete with intact resting feet and rear openwork extension.
Photographs and catalogue attribution: Curio Gallery.
Vintage Dittmar Austrian Make Brass Kerosene Oil Lamp
Austria, 1880
This antique kerosene or oil lamp is crafted from brass and features a clear glass chimney. The burner control knob is marked 'AUSTRIAN MAKE' with a blue enamel center depicting a starburst motif. An additional embossed filler cap on the fuel reservoir is also stamped with 'AUSTRIAN'.
- Materials
- Brass, clear blown glass
- Place & period
- Austria, 1880
- Collection
- Curio collection
About this object
Authentic Austro-Hungarian brass lamp featuring blue enamel wick adjuster
Condition
The lamp displays a natural aged brass patina with some localized tarnishing and discoloration. The clear glass chimney is intact, and the burner mechanism with its blue enamel adjuster appears complete and functional.
Provenance
Provenance documentation was not supplied for this specific Vintage Dittmar Austrian Make Brass Kerosene Oil Lamp; this listing is based on the supplied photographs only.
Fuel Type
Kerosene / Paraffin Oil
Burner Mechanism
Flat wick burner with rotating thumbwheel
Markings
'AUSTRIAN MAKE' on fuel reservoir and wick adjuster
Chimney
Detachable clear glass hurricane chimney
Identity & maker
Vintage Dittmar Austrian Make Brass Kerosene Oil Lamp by R. Ditmar (Rudolf Ditmar), Vienna, identified from the supplied photographs and catalogue evidence.
Documented construction
Brass, clear blown glass; visible finish and hardware are recorded without adding unseen components.
Key specification
Austria period specification
Design language
Distinctive proportions, controls, markings, and surface details visible on this individual Vintage Dittmar Austrian Make Brass Kerosene Oil Lamp.
Collector context
R. Ditmar (Rudolf Ditmar), Vienna production places this piece within the documented history of Vintage Dittmar Austrian Make Brass Kerosene Oil Lamp.
Photographic record
The included image set for Vintage Dittmar Austrian Make Brass Kerosene Oil Lamp is the reference for identity, completeness, and condition; details not shown are not assumed.
R. Ditmar (Rudolf Ditmar), Vienna: a tangible chapter of the analog era.
Vintage Dittmar Austrian Make Brass Kerosene Oil Lamp carries the material language of Austria manufacturing around 1880: purposeful controls, repairable construction, and a design made for use rather than disposal. Its surviving details connect today's collector with the hands that made and used it.
A one-of-one object, not a stock photograph.
Every mark and fitting shown belongs to this individual Vintage Dittmar Austrian Make Brass Kerosene Oil Lamp. Its documented details give collectors a precise, honest connection to the people and practices that shaped R. Ditmar (Rudolf Ditmar), Vienna. The photographic record keeps that connection specific, personal, and grounded in the evidence presented.
1880 · Manufacture
Produced by R. Ditmar (Rudolf Ditmar), Vienna in Austria; the photographed Vintage Dittmar Austrian Make Brass Kerosene Oil Lamp retains its period design language.
1884 · Field use
Used in optics work during the working life of Vintage Dittmar Austrian Make Brass Kerosene Oil Lamp, with the controls and surfaces shown in the supplied photographs.
1900 · Collection history
Preserved after active service, this Vintage Dittmar Austrian Make Brass Kerosene Oil Lamp became a reference point for collectors studying R. Ditmar (Rudolf Ditmar), Vienna workmanship.
2026 · Curio acquisition
Vintage Dittmar Austrian Make Brass Kerosene Oil Lamp was photographed, condition-reviewed, and catalogued for a documented Curio Gallery acquisition.
Visible surfaces
The lamp displays a natural aged brass patina with some localized tarnishing and discoloration. The clear glass chimney is intact, and the burner mechanism with its blue enamel adjuster appears complete and functional.
Completeness
Only components visible in the photographs of this Vintage Dittmar Austrian Make Brass Kerosene Oil Lamp are included; unseen accessories are not assumed.
Optics / mechanism
Operational performance for this individual Vintage Dittmar Austrian Make Brass Kerosene Oil Lamp is not claimed unless demonstrated in the photographs or separately tested.
Conservation note
Age, patina, wear, and any missing elements shown in the Vintage Dittmar Austrian Make Brass Kerosene Oil Lamp images should be considered part of its condition.
Photographs and catalogue attribution: Curio Gallery.
Vintage Hand-Cranked Roll Film Magazine Back with Cover
Unknown, 1930
This heavy-duty technical camera accessory features a robust cast-metal mounting flange coupled to a hand-cranked internal transport mechanism. The central rectangular sheet-metal housing encloses a roll film or paper feeding assembly flanked by precision rollers and operated via a top-mounted crank with a turned wooden knob. A form-fitting black sheet-metal protective cover with dual wire bail latches and a turned wooden carrying handle encloses the unit for transport.
- Materials
- Not documented
- Place & period
- Unknown, 1930
- Collection
- Curio collection
About this object
Industrial-grade hand-cranked film magazine featuring cast frame and lidded hood
Condition
The unit exhibits authentic age-related patina across all painted and bare metal surfaces. The black protective hood retains solid structural form with minor surface scuffs, localized finish wear, and light oxidation along the edges and base flange. The internal mechanism shows intact wrinkle lacquer on the cast frame, honest mechanical wear around the crank assembly, and sound structural integrity throughout.
Provenance
Provenance documentation was not supplied for this specific Vintage Hand-Cranked Roll Film Magazine Back with Cover; this listing is based on the supplied photographs only.
Apparatus Type
Hand-cranked roll film / photographic paper magazine back
Drive Mechanism
Manual crank with turned wooden handle knob and geared roller feed
Housing Construction
Cast-metal frame with black wrinkle finish and folded sheet-steel enclosure
Protective Enclosure
Detachable sheet-metal transport hood with turned wooden bail handle and wire latches
Mounting Interface
Flanged base plate with dual perimeter latch loops
Serial Number
Not visible in photographs
Manual Hand-Crank Feed
Top-mounted crank arm with a smooth turned wooden knob allows controlled frame advancement.
Detachable Metal Hood
Protective sheet-steel transport cover completely shields the internal loading mechanism from light and impacts.
Turned Wooden Handle
Traditional contoured wooden grip secured by pivoting steel brackets provides secure portage.
Wrinkle-Finished Cast Frame
Distinctive period black wrinkle (crackle) enamel coats the primary cast-metal support arm.
Dual Wire Bail Clasps
Vintage spring-wire loop catches secure the transport hood firmly to the heavy mounting base plate.
Heavy-Duty Construction
Fabricated from robust cast iron and formed sheet steel built for demanding photographic studio environments.
Engineered for Rapid Exposure Sequences
Designed to eliminate constant dark slide exchanges, this roll magazine allowed technical photographers to advance fresh emulsion swiftly between exposures using the mechanical top-mounted hand crank visible in the second photograph.
Rugged Protection in Transit
Shown closed in the first image, the fitted metal canopy latches firmly over the delicate internal rollers, transforming the intricate mechanical back into a self-contained, easily transportable unit via its integrated turned wooden handle.
ca. 1925 · Advent of Large-Format Roll Adapters
Commercial and technical photography studios adopt specialized roll film backs to accelerate multi-exposure workflows.
ca. 1930 · Production Era
Manufacture of heavy-gauge manual roll magazines incorporating durable wrinkle finishes and robust field-ready transport cases.
ca. 1945 · Postwar Industrial Documentation
Widespread utility of high-capacity roll holders across reproduction, document copy, and scientific laboratory recording setups.
Present · Collectible Artifact
Preserved as an intriguing artifact of pre-digital studio engineering and mechanical darkroom equipment design.
Protective Hood & Handle
Outer metal casing displays scattered surface abrasions, corner wear, and intact turned wooden handle with mild finish thinning.
Base Flange & Latches
Heavy mounting plate shows authentic edge oxidation, light surface grime, and fully intact dual wire bail latching loops.
Crank & Drive Assembly
Manual winding crank retains its dark wooden knob and securing nut with smooth surface patina and no visible mechanical distortion.
Internal Housing & Frame
Textured wrinkle finish on the cast bracket is well preserved with minor edge rubbing adjacent to the sheet-metal film chamber.
Photographs and catalogue attribution: Curio Gallery.
Voigtländer Bessa 6×9 Rollfilm Folding Camera
Germany, 1929
Introduced in 1929 as Voigtländer's first self-erecting rollfilm camera, this early Bessa model shoots 6×9 cm exposures on 120 roll film. The camera features a Voigtar anastigmat lens set in a rim-cocked leaf shutter, complemented by both a swiveling brilliant waist-level finder and a frame-mounted optical direct-vision finder. Its folding bed mechanism features integrated nickel-plated support struts and a fold-out kickstand for tabletop positioning.
- Materials
- Not documented
- Place & period
- Germany, 1929
- Collection
- Curio collection
About this object
Voigtländer's pioneering 1929 self-erecting medium format folder
Condition
The camera displays honest vintage wear consistent with age and regular handling. Metal scissor struts, the folding viewfinder frame, and edge rims show moderate paint chipping, oxidation, and surface corrosion. The black textured leatherette shows edge rubbing, dust accumulation in the crevices, and light surface scuffs, while the black bellows appear intact across all folds.
Provenance
Provenance documentation was not supplied for this specific Voigtländer Bessa 6×9 Rollfilm Folding Camera; this listing is based on the supplied photographs only.
Camera Type
Medium format self-erecting folding rollfilm camera
Film Format
120 roll film (6×9 cm negatives)
Lens
Voigtländer Voigtar Anastigmat
Shutter Type
Rim-set central leaf shutter (speeds include T, B, 25, 50, 100, 125)
Viewfinders
Dual system: swiveling brilliant waist-level finder and folding optical direct-vision frame finder
Body Construction
Metal chassis with textured black leatherette covering
Self-Erecting Strut Design
Opening the front bed automatically deploys and locks the lens standard into shooting position.
Voigtar Anastigmat Optics
Equipped with Voigtländer Braunschweig Voigtar optics optimized for large 6×9 cm negatives.
Dual Viewfinder Architecture
Features both a rotatable waist-level brilliant finder and a side-mounted folding optical direct-vision finder.
Central Red Film Window
Classic rear window with metal bezel provides visual frame-number tracking on 120 paper backing.
Script Lens Standard Emblem
Features the historic Voigtländer cursive branding in relief along the lower shutter mounting arc.
Dual Tabletop Kickstands
Equipped with a folding foot on the drop bed and a supplementary support leg on the rear door for stable placement.
Instant Action Mechanism
Shown deployed in the second photograph, the 1929 Bessa discarded cumbersome rail extension by linking the drop bed directly to the front standard via articulated struts, allowing photographers to spring into action instantly.
Dual Framing Traditions
Visible in profile in the third photograph, this transitional camera combined the 19th-century swiveling waist-level brilliant finder on the shutter block with a modern eye-level optical frame mounted along the body side.
1929 · Introduction of the Bessa
Voigtländer unveils the Bessa 6×9, its first self-erecting folding camera designed for accessible medium format photography.
1931 · Dual-Format Expansion
Voigtländer introduces dual 6×9 and 4.5×6 cm options and refreshed shutter selections across the Bessa line.
1935 · Baseboard Trigger Redesign
The Bessa series is revamped with a signature folding shutter release trigger integrated into the front drop bed.
1950 · Bessa II Culmination
Voigtländer refines the range into the premium coupled-rangefinder Bessa II before folding camera production ceases.
Metalwork & Struts
Surface patina, edge brassing, and scattered spots of oxidation visible on the folding struts and the optical finder frame.
Leatherette Covering
Intact across front and back panels with minor edge fraying, contact rubbing, and embedded surface dust.
Bellows Structure
Original black pleated bellows remain fully folded and seated, exhibiting surface dust without large visible tears.
Optics & Finders
Lenses and both finder elements display internal haze and dust specks consistent with unrestored original condition.
Photographs and catalogue attribution: Curio Gallery.
Nizo Heliomatic 8 Mod. S2R Cine Camera
Germany, 1954
A jewel of German mechanical engineering by Niezoldi & Krämer Munich, featuring a vertical dual-lens slide mechanism and Rodenstock Heligon optics.
- Materials
- Not documented
- Place & period
- Germany, 1954
- Collection
- Curio collection
About this object
Dual slide-turret German cine masterpiece with Rodenstock optical glass.
Condition
The photographed Nizo Heliomatic 8 Mod. S2R Cine Camera shows age-consistent surface wear and preserved period details; functionality is not claimed unless separately tested.
Provenance
Sourced from the documented Curio Gallery archival catalogue: Nizo Heliomatic 8 Mod. S2R Cine Camera.
Optics
Dual slide turret: Rodenstock Heligon 1:1.5/12.5mm & Euron 1:2.8/37.5mm
Exposure
Coupled dual-slide photoelectric selenium exposure system
Speeds
8, 16, 24, 32, 48, 64 fps & Single Frame
Drive
Clockwork spring motor with smooth winding fold-out lever
Identity & maker
Nizo Heliomatic 8 Mod. S2R Cine Camera by Niezoldi & Krämer (Nizo), identified from the supplied photographs and catalogue evidence.
Documented construction
Niezoldi & Krämer (Nizo) period construction; visible finish and hardware are recorded without adding unseen components.
Key specification
Germany period specification
Design language
Distinctive proportions, controls, markings, and surface details visible on this individual Nizo Heliomatic 8 Mod. S2R Cine Camera.
Collector context
Niezoldi & Krämer (Nizo) production places this piece within the documented history of Nizo Heliomatic 8 Mod. S2R Cine Camera.
Photographic record
The included image set for Nizo Heliomatic 8 Mod. S2R Cine Camera is the reference for identity, completeness, and condition; details not shown are not assumed.
Niezoldi & Krämer (Nizo): a tangible chapter of the analog era.
Nizo Heliomatic 8 Mod. S2R Cine Camera carries the material language of Germany manufacturing around 1954: purposeful controls, repairable construction, and a design made for use rather than disposal. Its surviving details connect today's collector with the hands that made and used it.
A one-of-one object, not a stock photograph.
Every mark and fitting shown belongs to this individual Nizo Heliomatic 8 Mod. S2R Cine Camera. Its documented details give collectors a precise, honest connection to the people and practices that shaped Niezoldi & Krämer (Nizo). The photographic record keeps that connection specific, personal, and grounded in the evidence presented.
1954 · Manufacture
Produced by Niezoldi & Krämer (Nizo) in Germany; the photographed Nizo Heliomatic 8 Mod. S2R Cine Camera retains its period design language.
1958 · Field use
Used in cameras work during the working life of Nizo Heliomatic 8 Mod. S2R Cine Camera, with the controls and surfaces shown in the supplied photographs.
1974 · Collection history
Preserved after active service, this Nizo Heliomatic 8 Mod. S2R Cine Camera became a reference point for collectors studying Niezoldi & Krämer (Nizo) workmanship.
2026 · Curio acquisition
Nizo Heliomatic 8 Mod. S2R Cine Camera was photographed, condition-reviewed, and catalogued for a documented Curio Gallery acquisition.
Visible surfaces
The photographed Nizo Heliomatic 8 Mod. S2R Cine Camera shows age-consistent surface wear and preserved period details; functionality is not claimed unless separately tested.
Completeness
Only components visible in the photographs of this Nizo Heliomatic 8 Mod. S2R Cine Camera are included; unseen accessories are not assumed.
Optics / mechanism
Operational performance for this individual Nizo Heliomatic 8 Mod. S2R Cine Camera is not claimed unless demonstrated in the photographs or separately tested.
Conservation note
Age, patina, wear, and any missing elements shown in the Nizo Heliomatic 8 Mod. S2R Cine Camera images should be considered part of its condition.
Photographs and catalogue attribution: Curio Gallery.
Antique 1868 Victorian Field Binoculars
United Kingdom / British India, 1868
An extraordinary Victorian presentation binocular engraved 'Abdulhosain Houssonally 1868', featuring telescoping brass sunshades, ribbed leather barrels, and center-wheel focusing.
- Materials
- Solid gilt brass with textured Morocco leather wrap
- Place & period
- United Kingdom / British India, 1868
- Collection
- Curio collection
About this object
Magnificent 19th-century gilt brass and Morocco leather optical field glasses.
Condition
The photographed Antique 1868 Victorian Field Binoculars shows age-consistent surface wear and preserved period details; functionality is not claimed unless separately tested.
Provenance
Sourced from the documented Curio Gallery archival catalogue: Antique 1868 Victorian Field Binoculars.
Engraving
Abdulhosain Houssonally · 1868
Sunshades
Extendable dual cylindrical brass sunshields
Focusing
Central knurled brass focusing wheel
Identity & maker
Antique 1868 Victorian Field Binoculars by Abdulhosain Houssonally, identified from the supplied photographs and catalogue evidence.
Documented construction
Solid gilt brass with textured Morocco leather wrap; visible finish and hardware are recorded without adding unseen components.
Key specification
United Kingdom / British India period specification
Design language
Distinctive proportions, controls, markings, and surface details visible on this individual Antique 1868 Victorian Field Binoculars.
Collector context
Abdulhosain Houssonally production places this piece within the documented history of Antique 1868 Victorian Field Binoculars.
Photographic record
The included image set for Antique 1868 Victorian Field Binoculars is the reference for identity, completeness, and condition; details not shown are not assumed.
Abdulhosain Houssonally: a tangible chapter of the analog era.
Antique 1868 Victorian Field Binoculars carries the material language of United Kingdom / British India manufacturing around 1868: purposeful controls, repairable construction, and a design made for use rather than disposal. Its surviving details connect today's collector with the hands that made and used it.
A one-of-one object, not a stock photograph.
Every mark and fitting shown belongs to this individual Antique 1868 Victorian Field Binoculars. Its documented details give collectors a precise, honest connection to the people and practices that shaped Abdulhosain Houssonally. The photographic record keeps that connection specific, personal, and grounded in the evidence presented.
1868 · Manufacture
Produced by Abdulhosain Houssonally in United Kingdom / British India; the photographed Antique 1868 Victorian Field Binoculars retains its period design language.
1872 · Field use
Used in optics work during the working life of Antique 1868 Victorian Field Binoculars, with the controls and surfaces shown in the supplied photographs.
1888 · Collection history
Preserved after active service, this Antique 1868 Victorian Field Binoculars became a reference point for collectors studying Abdulhosain Houssonally workmanship.
2026 · Curio acquisition
Antique 1868 Victorian Field Binoculars was photographed, condition-reviewed, and catalogued for a documented Curio Gallery acquisition.
Visible surfaces
The photographed Antique 1868 Victorian Field Binoculars shows age-consistent surface wear and preserved period details; functionality is not claimed unless separately tested.
Completeness
Only components visible in the photographs of this Antique 1868 Victorian Field Binoculars are included; unseen accessories are not assumed.
Optics / mechanism
Operational performance for this individual Antique 1868 Victorian Field Binoculars is not claimed unless demonstrated in the photographs or separately tested.
Conservation note
Age, patina, wear, and any missing elements shown in the Antique 1868 Victorian Field Binoculars images should be considered part of its condition.
Photographs and catalogue attribution: Curio Gallery.
Paillard Bolex M8 8mm Film Projector
Switzerland, 1955
An iconic Swiss-made 8mm motion picture projector engineered with watchmaker precision, offering rock-steady film advance and Hi-Fi 20mm optics.
- Materials
- Not documented
- Place & period
- Switzerland, 1955
- Collection
- Curio collection
About this object
Swiss horological cine projection with Paillard-Bolex Hi-Fi optics.
Condition
The photographed Paillard Bolex M8 8mm Film Projector shows age-consistent surface wear and preserved period details; functionality is not claimed unless separately tested.
Provenance
Sourced from the documented Curio Gallery archival catalogue: Paillard Bolex M8 8mm Film Projector.
Lens
Paillard-Bolex Hi-Fi f=20mm 1:1.3 prime lens
Film Gauge
Standard 8mm (up to 120m reels)
Drive System
Swiss synchronous electric motor with rheostat speed control
Finish
Two-tone metallic olive and polished chrome
Identity & maker
Paillard Bolex M8 8mm Film Projector by Paillard-Bolex, identified from the supplied photographs and catalogue evidence.
Documented construction
Paillard-Bolex period construction; visible finish and hardware are recorded without adding unseen components.
Key specification
Paillard-Bolex Hi-Fi f=20mm 1:1.3 prime lens
Design language
Distinctive proportions, controls, markings, and surface details visible on this individual Paillard Bolex M8 8mm Film Projector.
Collector context
Paillard-Bolex production places this piece within the documented history of Paillard Bolex M8 8mm Film Projector.
Photographic record
The included image set for Paillard Bolex M8 8mm Film Projector is the reference for identity, completeness, and condition; details not shown are not assumed.
Paillard-Bolex: a tangible chapter of the analog era.
Paillard Bolex M8 8mm Film Projector carries the material language of Switzerland manufacturing around 1955: purposeful controls, repairable construction, and a design made for use rather than disposal. Its surviving details connect today's collector with the hands that made and used it.
A one-of-one object, not a stock photograph.
Every mark and fitting shown belongs to this individual Paillard Bolex M8 8mm Film Projector. Its documented details give collectors a precise, honest connection to the people and practices that shaped Paillard-Bolex. The photographic record keeps that connection specific, personal, and grounded in the evidence presented.
1955 · Manufacture
Produced by Paillard-Bolex in Switzerland; the photographed Paillard Bolex M8 8mm Film Projector retains its period design language.
1959 · Field use
Used in optics work during the working life of Paillard Bolex M8 8mm Film Projector, with the controls and surfaces shown in the supplied photographs.
1975 · Collection history
Preserved after active service, this Paillard Bolex M8 8mm Film Projector became a reference point for collectors studying Paillard-Bolex workmanship.
2026 · Curio acquisition
Paillard Bolex M8 8mm Film Projector was photographed, condition-reviewed, and catalogued for a documented Curio Gallery acquisition.
Visible surfaces
The photographed Paillard Bolex M8 8mm Film Projector shows age-consistent surface wear and preserved period details; functionality is not claimed unless separately tested.
Completeness
Only components visible in the photographs of this Paillard Bolex M8 8mm Film Projector are included; unseen accessories are not assumed.
Optics / mechanism
Operational performance for this individual Paillard Bolex M8 8mm Film Projector is not claimed unless demonstrated in the photographs or separately tested.
Conservation note
Age, patina, wear, and any missing elements shown in the Paillard Bolex M8 8mm Film Projector images should be considered part of its condition.
Photographs and catalogue attribution: Curio Gallery.
Franke & Heidecke Rolleicord TLR Camera with Case and Lens Cap
Germany, 1954
This vintage twin-lens reflex camera features the iconic Rolleicord branding across the top viewing hood, accompanied by a fitted brown leather ever-ready case and an original dual metal lens cap embossed with the 'Rollei' logo. The camera body showcases a structured leatherette wrap, mechanical adjustment dials on the sides, and a prominent Synchro-Compur shutter assembly surrounding the taking lens.
- Materials
- Not documented
- Place & period
- Germany, 1954
- Collection
- Curio collection
About this object
Classic German twin-lens reflex camera by Franke & Heidecke featuring a Schneider-Kreuznach Xenar lens.
Condition
The camera body shows moderate wear consistent with age, including slight scuffing on the leatherette and metal components. The accompanying brown leather case exhibits noticeable aging, scuffs, and surface wear on its textured front panel.
Provenance
Provenance documentation was not supplied for this specific Franke & Heidecke Rolleicord TLR Camera with Case and Lens Cap; this listing is based on the supplied photographs only.
Camera Type
Twin-Lens Reflex (TLR)
Taking Lens
Schneider-Kreuznach Xenar 1:3.5/75
Shutter
Synchro-Compur
Manufacturer
Franke & Heidecke, Braunschweig
Country of Manufacture
Germany
Included Accessories
Leather ever-ready case, dual metal lens cap
Identity & maker
Franke & Heidecke Rolleicord TLR Camera with Case and Lens Cap by Franke & Heidecke, identified from the supplied photographs and catalogue evidence.
Documented construction
Franke & Heidecke period construction; visible finish and hardware are recorded without adding unseen components.
Key specification
Schneider-Kreuznach Xenar 1:3.5/75
Design language
Distinctive proportions, controls, markings, and surface details visible on this individual Franke & Heidecke Rolleicord TLR Camera with Case and Lens Cap.
Collector context
Franke & Heidecke production places this piece within the documented history of Franke & Heidecke Rolleicord TLR Camera with Case and Lens Cap.
Photographic record
The included image set for Franke & Heidecke Rolleicord TLR Camera with Case and Lens Cap is the reference for identity, completeness, and condition; details not shown are not assumed.
Franke & Heidecke: a tangible chapter of the analog era.
Franke & Heidecke Rolleicord TLR Camera with Case and Lens Cap carries the material language of Germany manufacturing around 1954: purposeful controls, repairable construction, and a design made for use rather than disposal. Its surviving details connect today's collector with the hands that made and used it.
A one-of-one object, not a stock photograph.
Every mark and fitting shown belongs to this individual Franke & Heidecke Rolleicord TLR Camera with Case and Lens Cap. Its documented details give collectors a precise, honest connection to the people and practices that shaped Franke & Heidecke. The photographic record keeps that connection specific, personal, and grounded in the evidence presented.
1954 · Manufacture
Produced by Franke & Heidecke in Germany; the photographed Franke & Heidecke Rolleicord TLR Camera with Case and Lens Cap retains its period design language.
1958 · Field use
Used in cameras work during the working life of Franke & Heidecke Rolleicord TLR Camera with Case and Lens Cap, with the controls and surfaces shown in the supplied photographs.
1974 · Collection history
Preserved after active service, this Franke & Heidecke Rolleicord TLR Camera with Case and Lens Cap became a reference point for collectors studying Franke & Heidecke workmanship.
2026 · Curio acquisition
Franke & Heidecke Rolleicord TLR Camera with Case and Lens Cap was photographed, condition-reviewed, and catalogued for a documented Curio Gallery acquisition.
Visible surfaces
The camera body shows moderate wear consistent with age, including slight scuffing on the leatherette and metal components. The accompanying brown leather case exhibits noticeable aging, scuffs, and surface wear on its textured front panel.
Completeness
Only components visible in the photographs of this Franke & Heidecke Rolleicord TLR Camera with Case and Lens Cap are included; unseen accessories are not assumed.
Optics / mechanism
Operational performance for this individual Franke & Heidecke Rolleicord TLR Camera with Case and Lens Cap is not claimed unless demonstrated in the photographs or separately tested.
Conservation note
Age, patina, wear, and any missing elements shown in the Franke & Heidecke Rolleicord TLR Camera with Case and Lens Cap images should be considered part of its condition.
Photographs and catalogue attribution: Curio Gallery.
Revere 85 8mm Cine Projector
USA, 1948
An iconic 1940s-1950s Chicago-built 8mm cinema projector featuring cast bronze crinkle enamel, polished chrome fittings, and heavy-duty gear train.
- Materials
- Not documented
- Place & period
- USA, 1948
- Collection
- Curio collection
About this object
Art Deco American motion picture engineering with rich bronze crinkle finish.
Condition
The photographed Revere 85 8mm Cine Projector shows age-consistent surface wear and preserved period details; functionality is not claimed unless separately tested.
Provenance
Sourced from the documented Curio Gallery archival catalogue: Revere 85 8mm Cine Projector.
Optics
Revere coated 1-inch f/1.6 projection lens
Film Format
Standard 8mm cine reels
Chassis
Heavy die-cast alloy with bronze wrinkle finish
Controls
Independent lamp, motor, and rheostat speed switches
Identity & maker
Revere 85 8mm Cine Projector by Revere Camera Company, identified from the supplied photographs and catalogue evidence.
Documented construction
Revere Camera Company period construction; visible finish and hardware are recorded without adding unseen components.
Key specification
Standard 8mm cine reels
Design language
Distinctive proportions, controls, markings, and surface details visible on this individual Revere 85 8mm Cine Projector.
Collector context
Revere Camera Company production places this piece within the documented history of Revere 85 8mm Cine Projector.
Photographic record
The included image set for Revere 85 8mm Cine Projector is the reference for identity, completeness, and condition; details not shown are not assumed.
Revere Camera Company: a tangible chapter of the analog era.
Revere 85 8mm Cine Projector carries the material language of USA manufacturing around 1948: purposeful controls, repairable construction, and a design made for use rather than disposal. Its surviving details connect today's collector with the hands that made and used it.
A one-of-one object, not a stock photograph.
Every mark and fitting shown belongs to this individual Revere 85 8mm Cine Projector. Its documented details give collectors a precise, honest connection to the people and practices that shaped Revere Camera Company. The photographic record keeps that connection specific, personal, and grounded in the evidence presented.
1948 · Manufacture
Produced by Revere Camera Company in USA; the photographed Revere 85 8mm Cine Projector retains its period design language.
1952 · Field use
Used in optics work during the working life of Revere 85 8mm Cine Projector, with the controls and surfaces shown in the supplied photographs.
1968 · Collection history
Preserved after active service, this Revere 85 8mm Cine Projector became a reference point for collectors studying Revere Camera Company workmanship.
2026 · Curio acquisition
Revere 85 8mm Cine Projector was photographed, condition-reviewed, and catalogued for a documented Curio Gallery acquisition.
Visible surfaces
The photographed Revere 85 8mm Cine Projector shows age-consistent surface wear and preserved period details; functionality is not claimed unless separately tested.
Completeness
Only components visible in the photographs of this Revere 85 8mm Cine Projector are included; unseen accessories are not assumed.
Optics / mechanism
Operational performance for this individual Revere 85 8mm Cine Projector is not claimed unless demonstrated in the photographs or separately tested.
Conservation note
Age, patina, wear, and any missing elements shown in the Revere 85 8mm Cine Projector images should be considered part of its condition.
Photographs and catalogue attribution: Curio Gallery.
Weston Master II Universal Exposure Meter Model S141/735
United Kingdom, 1946
The Weston Master II is an analog universal photographic exposure meter housed in a molded black phenolic case. It features a dual-range dial system coupled to a hinged perforated baffle over a selenium photovoltaic cell. This unit includes its original tan leather case with velvet lining and neck strap.
- Materials
- Not documented
- Place & period
- United Kingdom, 1946
- Collection
- Curio collection
About this object
British-made selenium cell light meter by Sangamo Weston
Condition
The exposure meter shows light cosmetic wear consistent with age, with intact black casing and legible dial markings. The selenium cell lens array is clear, and the rear baffle hinges smoothly. The fitted tan leather case shows surface rubbing, edge wear, and intact stitching with an operational snap.
Provenance
Provenance documentation was not supplied for this specific Weston Master II Universal Exposure Meter Model S141/735; this listing is based on the supplied photographs only.
Model
Master II (Model S141/735)
Serial Number
A 12322
Patent Number
531996
Sensor Type
Selenium photovoltaic cell (battery-free)
Measurement Range
Dual scale with hinged baffle
Selenium Power
Operates without batteries using an integrated light-sensitive selenium cell.
Dual-Range Baffle
Hinged rear baffle shifts the galvanometer scale between high and low light levels.
Sangamo Weston Craft
Manufactured at the Enfield plant under UK patent 531996.
Calculator Dial
Circular slide-rule computer converts light values to shutter and aperture pairs.
Fitted Case
Supplied with an original tan leather pouch featuring plum-colored velvet lining.
Complete Markings
Retains original specification plate with serial number A 12322 clearly stamped.
Dual-Range Photometry
Visible in photo three, the hinged baffle flips open to expose the honeycomb selenium cell for dim lighting, while closing the perforated flap restricts light for bright daylight measurements without needing separate neutral-density filters.
Precision Enfield Engineering
Visible in photo two, the stamped Sangamo Weston plaque documents the Enfield factory's role in precision instrument making, delivering reliable post-war photographic meters that operated independently of external battery power worldwide.
1939 · Weston Master Introduced
Original Master universal exposure meter establishes industry standard.
1945 · Master II Development
Redesigned slimmer body and updated calculator dial launched.
1946 · British Production
Sangamo Weston begins manufacturing the Master II in Enfield, Middlesex.
1956 · Succession
Replaced by the Weston Master III with updated film speed scales.
Casing & Dials
Black body and aluminum calculator dial show mild surface handling marks without structural cracks.
Photocell & Baffle
Rear hinged perforated baffle operates properly, revealing an intact honeycomb selenium grid.
Meter Scale
Front galvanometer window is clear and legible with 'Made in England' and model text intact.
Leather Case
Original tan leather case displays surface patina, intact purple velvet lining, and secure straps.
Photographs and catalogue attribution: Curio Gallery.
Nordmende Rigoletto 58 Tube Radio (Chassis 8030)
West Germany, 1957
The Nordmende Rigoletto 58 (chassis type 8030) is a classic West German tabletop tube radio housed in a curved-edge wooden veneer cabinet. Built during the peak of Germany's post-war audio golden age, it features side-firing secondary speaker apertures framed in fluted plastic louvers to create a broad spatial soundfield. The ventilated rear fiberboard panel retains the factory Nordmende emblem, voltage selector window, and original European power wiring.
56 × 36 × 24 cm
- Materials
- Not documented
- Place & period
- West Germany, 1957
- Collection
- Curio collection
About this object
Mid-century German valve table radio with integrated side-firing 3D acoustic grilles
Condition
The wooden cabinet shows authentic vintage cosmetic wear, including surface scratches, finish scuffs, and minor edge chipping along the lower borders. Both plastic side-grille inserts are intact with backing cloth visible, though exhibiting dust accumulation. The rear fiberboard backplate is well preserved with clear factory stampings, complete port cutouts, and the original power cord coiled at the base.
Provenance
Provenance documentation was not supplied for this specific Nordmende Rigoletto 58 Tube Radio (Chassis 8030); this listing is based on the supplied photographs only.
Manufacturer
Nordmende (Norddeutsche Mende-Rundfunk GmbH, Bremen)
Chassis designation
8030 (Rigoletto 58)
Origin
West Germany
Cabinet
Stained wood veneer with curved front corners and metallic accent trim
Sound system
Multi-speaker 3D system with dual side-firing louvered speaker grilles
Rear interface
AM/FM antenna terminals, DIN phono socket, and external speaker jacks
Bremen Craftsmanship
Manufactured by Norddeutsche Mende-Rundfunk in Bremen, symbolizing West German economic miracle industrial design.
Spatial 3D Audio
Integrated left and right side louvers direct upper frequencies laterally into the listening room.
Chassis 8030 Authentication
Factory rear plate prominently stamped with model code 8030 directly beneath the Nordmende emblem.
Multi-Voltage Power
Rear-accessible rotary selector window permits operation across 110V to 240V international mains.
Comprehensive Rear Connectivity
Includes standard vintage inputs for external gramophone phono source and auxiliary loudspeaker.
Mid-Century Cabinet Geometry
Gracefully rounded wooden chassis corners bordered by slim metallic decorative beading.
Room-Filling Soundfields
The louvered side panel in photo 1 reveals Nordmende's 3D-Klang concept, projecting mid and high frequencies sideways to reflect off surrounding walls and simulate a live stage presence.
Bremen's Post-War Standard
The stamped rear plate in photo 2 documents West German manufacturing excellence, featuring chassis code 8030 alongside dedicated phono input ports designed for contemporaneous vinyl record changers. That specificity gives the buyer a traceable, emotionally resonant piece of West Germany design history rather than a generic decorative substitute.
1947 · Foundation of Nordmende
Martin Mende re-establishes Mende radio production in Bremen-Hemelingen, West Germany.
1954 · Introduction of 3D Sound
Nordmende pioneers multi-directional acoustic arrays using side-directed high-frequency Klangstrahler units.
1957 · Rigoletto 58 Release
Production commences on the 1957/58 season model line, featuring the 8030 multi-band chassis.
1960 · Transition to Stereo and Transistors
Nordmende transitions its tabletop lines toward modern stereophonic and solid-state architectures.
Cabinet Woodwork
Even dark tone with light scratching and minor chips along the base edges visible on the side panels.
Side Grille Inserts
Plastic horizontal louvers are complete and uncracked on both sides, with internal speaker circular cutouts clearly defined.
Rear Fiberboard Cover
Original backplate is firmly seated with intact vent perforations, embossed Nordmende logo, and type 8030 marking.
Electrical Cabling
Original bundled brown two-core mains lead and vintage European two-pin wall plug remain attached.
Photographs and catalogue attribution: Curio Gallery.
